Book and Writer Round-ups

This is, of course, the time of lists. Maria over at Brain Pickings (you must subscribe; really), is a master of these, so here are a few of her year-end round ups. Her website is the most interesting and worthwhile time sucker on the web IMHO. (If you've never been to the site, get yourself a cup of coffee and prepare to dive into the rabbit hole.)

Paper Typewriter by Jennifer Collier

The year's best books on writing and creativity. Lots of gems there, including Neil Gaiman's Make Good Art. "Whatever it is you're scared of doing, do it. Make your mistakes, next year and forever."

And here's Maria's list for best children's books (illustrated and picture books), which includes the fabulous You Are Stardust by Canadian writer, Elin Kelsey. (The book also has an app version.)

The prolific (and very witty; you should also follow her), Elizabeth Bird over at Fuse #8 Productions, has compiled a list of 100 Magnificent Books for 2013.

Closer to home, the Canadian Chidlren's Book Centre has put together a list of great holiday reads by Canadian authors, illustrators and publishers.

Finally, British Columbia author Laura Langston, wrote a two part, Gifts of the Season, in which authors share the best gifts they've received. It's a must read for many reasons, but most of all if you have an aspiring writer in the house. Here is part one and part two.

Planet Ark Sets Sail

In 2013, I vow to post here more than once a year. Even once a month would significantly improve my recent record! I have a plan. We'll see how it goes. For now, I have a new book to share. Planet Ark: Preserving Earth's Biodiversity is (hopefully) in (or shipping to) a bookstore near you. There are already a few reviews in the ether. One from Kirkus Review, and a nice surprise - a starred review from Publishers Weekly. It's been a few years since I've written a book for children. This one was a nice departure from my usual "straight up" science books as, being more of a non-fiction picture book, it gave me some more scope to be a bit lyrical. And it was nice to be in a partnership with a very skilled artist, Margot Thompson who has illustrated other books for Kids Can Press as well (while also managing to be an exhibit designer at the Royal Ontario Museum!). More soon. Really.

Realities of Writing

The very talented artist Patricia Storms put up a great post on her blog that got me thinking.

People have a lot of assumptions about writers and illustrators and we're not doing ourselves any favours by not addressing them head on. So, for the curious, here are some realities about trying to make your living as a writer. (I can't speak for being an illustrator, but there are many similarities.)

1. Yes, getting published is very exciting and something that so many people strive for, but it does not mean we are rich. [See below.]

2. On average, writers receive royalties anywhere from 5% (for a picture book, for instance, since royalties are split with the illustrator) to 10%. Let's do the math. If the book costs $10, the author is actually receiving between 50 cents and $1. [See 1.]

3. Very few writers actually receive the "six figure advances" you sometimes hear about. Some receive $0. Others a few hundred or a few thousand. This varies, of course, but it is not "free money." These are "advances against royalties." In theory the publisher is advancing you monies they project that the book will safely recoup. Once it is published the writer makes $0 until that royalty advance is paid out. [See 1.]

4. Other than a few free copies (about 10, say) writers have to buy their own books. Yes, we get them at the same discount as a bookseller (40% off retail), but we don't have an endless supply of our own books without forking over cash.

5. When people demand cheap books [or cheap anything, frankly] someone is getting screwed. Like those big box discounts? It's because big box stores demand a very hefty discount (perhaps as much as 55%) while the "mom and pop" bookstore down the street can only get 40%. Writers, illustrators and publishers are also making less. [See 2. This means we might only make 30 cents for each sale! Whoopee! See 1.]

6. Writers often have to pay for things you might assume a publisher would cover. This includes purchasing photographs, paying for illustrations (maps, for instance), creating a website, organizing a tour, etc.

7. More and more, writers and illustrators are expected to take on publicity and marketing themselves. Very few books and authors get "tours" and big budget marketing plans. I have received a whopping total of $100 for travel over my 20 years as a published writer. (From publishers that is. I have received support from programs such as the Canadian Book Centre's Book Week and other festivals.)

8. Most writers and illustrators have to do other work to continue. While I have been a full-time writer and editor for many years, I work on many different things — textbooks, interpretive centre media, government documents, and the like. I love the variety, but it's not an easy go. Like Patricia, I have often had thoughts of throwing in the towel to become a waitress. I published my first book in 1991 and have published over 30 books. [See 1.]

Resource Link's Best of 2010

If you're looking for some new Canadian resources for children for your library, classroom or home this list is a great place to begin your search.

You Never Know When (and How) Opportunity Will Come

I love this story. It's one of those serendipitous events where some nice things happened to a hard-working person (in this case, the artist Patricia Storms) and those good things happened in a circuitous way. Patricia says it best, so I'll leave it to her, but just in case you aren't tuned into the kid-litosphere, it involved Martin Amis, some snarky, tossed off words, a London paper, and a maelstrom (mael-Storm?) of drawing that included, amongst others, The Cat in the Hat, Madeline, and a few wild things.

Bill Slavin - Great Artist for Great Moments

One of my favourite features at the mag., is when our regular comic arrives in my IN box. Bill Slavin creates Great Moments in Science for us and he always does such a fabulous job. It's a pleasure to have him onboard. For the last cartoon, Bill wrote a blog post telling us more about the process and the subject of this month's column: Winsor McCay. Check it out!

Many Moons Ago, We Started KNOW . . .

[Cover art by Bill Slavin.]

The latest issue of KNOW is out. The theme for this issue — our 29th — is moons. Not just Earth's Moon, but the other moons in our solar system, too. Over 60 "moons ago" we started KNOW. It's hard to believe I started with Peter Piper Publishing in August 2005. The Jan/Feb 2011 issue will be our 30th and we're celebrating our fifth birthday. Just like the astronauts on this issue's cover, bouncing along in their Moon buggy, it's been a great ride.

If you haven't checked out KNOW, I hope you'll do so. I am, of course, totally biased, but I would argue that you would be hard pressed to find more value for your buck in a children's magazine.

Hycroft on November 9

For those of you living in the lower mainland, mark your calendars for the annual CWILL event at Hycroft. It's a great chance to see your favourite BC authors and illustrators at a group launch/announcement/celebration of their new titles. Information here.

readBC

CWILL-BC (Children's Writers and Illustrators of BC) has a great blog that you should visit if you want to know more about the writers and illustrators of British Columbia. The blog (and website) is a wealth of information. This great new feature, readBC, gives short interviews with writers. Check it out.

Annick's Spooky Blog Tour Next Week

Annick Press is hosting a "Spooky Halloween Blog Tour" October 25-29. More details here but during the tour you can virtually visit five blogs, read interviews with authors and book reviews. There will be giveaways, too.

GG Awards - The Kids' Lit Version

Since most blogs and newspaper articles usually relegate the Governor General Awards nominees in the children's categories to afterthoughts (if at all), I will post them here and send you here for the full list. Congratulations to all of the nominees, writers and illustrators.

Children’s Literature — Text

K.L. Denman, Powell River (British Columbia), Me, Myself and Ike
(Orca Book Publishers; distributed by the publisher)

Me, Myself and Ike is a gripping novel full of surprises. K.L. Denman’s masterfully-crafted first-person narrative on schizophrenia sweeps the reader along as Kit Latimer descends into a terrifying world where the real and imagined have no discernible divide. Denman manages to portray Kit in a way that is both realistic and sympathetic.

Lesley Fairfield, Toronto, Tyranny
(Tundra Books; distributed by Random House of Canada)

Tyranny is a powerful piece of writing crafted as a graphic novel.
Lesley Fairfield convincingly delves deep into the psyche of a young woman suffering from anorexia. The strength of the book lies in its simplicity, which carries the reader along on Anna’s horrifying journey to wellness.

Gina McMurchy-Barber, Surrey (British Columbia), Free as a Bird
(Dundurn Press; distributed by University of Toronto Press)

Free as a Bird is a poignant journey through the life of
Ruby Jean Sharp, a child living with Down syndrome. In this compelling tale of perseverance, trust and hope, Gina McMurchy-Barber takes the reader from the isolation and abuse of an institution, to the warmth and opportunity of a home, to the danger and camaraderie of the streets.

Wendy Phillips, Richmond (British Columbia), Fishtailing
(Coteau Books; distributed by Publishers Group of Canada)

Fishtailing is the story of four teenagers, four lives intertwined in the complex world of relationships and power struggles. In passionate poetic language that both chills and caresses, Wendy Phillips breathes life into these unforgettable characters whose stories offer insight, warning and endless possibilities. This compellingly-crafted poem is impossible to put down.

Cheryl Rainfield, Toronto, Scars
(WestSide Books; distributed by Chapters / Indigo)

Cheryl Rainfield’s Scars asks: When hurt is deeply buried, how do you bring it to the surface? For Kendra, the possibilities lie between
self-destruction and the redemptive powers of creativity. Teetering between these polarities until the very end, she is a memorable character whose struggle captivates.

Children’s Literature — Illustration

Kristi Bridgeman, Victoria, Uirapurú: based on a Brazilian legend,
text by P. K. Page
(Oolichan Books; distributed by University of Toronto Press)

Kristi Bridgeman’s evocative illustrations draw us into the exotic rainforest of Brazil. Her lively and rhythmic design playfully combines vibrant colours and patterns that reference Brazilian textiles and ancient Mayan imagery. On the pages of Uirapurú, the illustrator’s rainforest magically comes to life.

Julie Flett, Vancouver, Owls See Clearly at Night: a Michif alphabet / Lii Yiiboo Nayaapiwak lii Swer: l’alfabet di Michif, text by Julie Flett
(Simply Read Books; distributed by Publishers Group Canada)

In Owls See Clearly at Night, Julie Flett’s beautiful and elegant illustrations eloquently describe the Michif alphabet. Each letter’s vignette is thought-provoking, depicting elements of the natural world in an illumination of meaning. The letters appear deceptively simple at first glance, but in fact each contains its own mysterious, lyrical story.

Matt James, Toronto, I Know Here, text by Laurel Croza
(Groundwood Books / House of Anansi Press; distributed by HarperCollins Canada)

The “howl of the wolf and the smell of the fox in his cage and the stare of the old moose…” are boldly captured in Matt James’ intense illustrations. I Know Here speaks a universal, yet markedly original artistic language about a child’s sense of place.

Jon Klassen, Los Angeles [originally from Niagara Falls, Ontario], Cat’s Night Out, text by Caroline Stutson
(Simon & Schuster / A Paula Wiseman Book; distributed by
Simon & Schuster Canada)

In Cat’s Night Out, Jon Klassen creatively arranges pulsating patterns, lines and shapes to express a fantasy mood. He uses different tones and textures to contrast the mysterious night scene with the many vivid dancing cats. The illustrations match the content perfectly.

Renata Liwska, Calgary, The Quiet Book, text by Deborah Underwood
(Houghton Mifflin Harcourt; distributed by Thomas Allen & Son)

Renata Liwska’s method of using soft edge drawing to portray lovely and simple images is perfect to express the story of The Quiet Book. Each composition is creative and each page draws the viewer into a fresh mood. The illustrations are elegant with a sweet gentle tone.

Picturing Canada: A Discussion on the Importance of Canadian Books for Canadian Children

There was a great discussion on the Canadian children's books on CBC yesterday. The guests were Judith Saltman and Gail Edwards, authors of Picturing Canada: A History of Canadian Children's Illustrated Books and Publishing.

From the CBC site:

Picture a Children's Story

For most of us our first encounter with a book was when we were very young. Odds are it was a big thing, or at least seemed so to our tiny hands. It was filled with pictures, some words and usually involved a parent or two along side trying to help us navigate this exciting new world called reading.

And while we moved on to different types of books and different types of reading as we aged, this first encounter may well have defined not only what type of reader we were going to be but also implanted some pretty strong ideas of what type of person we might be. So you would think that given the importance of that first contact the world of illustrated children's books would be a much studied and analysed experience. But you'd be wrong. For the most part, the illustrated children's book has been,the orphan child of academia.

That's something that Gail Edwards and Judith Saltman have set out to correct. Gail Edwards is Chair of the Department of History at Douglas College. Judith Saltman is an associate professor in the school of Library, Archival and Information studies and Chair of the Masters of Arts in Children's Literature Program at the University of British Columbia.

And they are the co-authors of Picturing Canada: A History of Canadian Children's Illustrated Books and Publishing. They joined us from our Vancouver Studios.

You can listen to the show here.

Here is a review and the authors also have a Facebook page.

I know what's on my Christmas list this year.

Writers and Illustrators on Tour

I don't do a lot of school visits, not because I don't want to, but primarily because I'm so busy and because of the logistics of being a writer based in Tough City. I have to add two days of travel to just about any trip I do. But . . . my children are now older and easier to leave for a bit (not that they're alone; FH is always around for them) so things just might change in that regard. I do love visiting the children I write for. They are usually so keen to meet you and you definitely get feedback on your books (whether you want it or not!). We benefit, but of course the children do too. Meeting a "real life writer" who is just as "normal" as their own mom or dad can be a revelation. And they can see how all of the slogging they are doing at the moment, learning to spell, read, punctuate, etc. all has a purpose in life. On my visits I always try to relate how the skills children are learning in school translate to my everyday reality!

If you are a teacher, librarian or parent looking to invite an author to a local school or library, you can start with a look here, for the Canadian writers and illustrators willing to visit your community. If you are in British Columbia, you can begin here.

For Aspiring Illustrators (and those who love picture books)

... the web site and blog of Kirsti Anne Wakelin are certainly worth spending some time on. Gorgeous work.

BC Book Prizes - 2010

The BC Book Prize gala was this past weekend in Victoria. I was hoping to make it this year, but couldn't swing the trip. Congratulations to all of the nominees and winners. Sheryl McFarlane did a blogpost about part of the evening, which you can read here.

For a full list of the finalists and winners visit the BC Book Prizes site.

Lu & Clancy Go to Hong Kong

Fun to receive these copies of Lu and Clancy in the mail. They've been translated into Complex Chinese by Sun Ya Publications of Hong Kong.

Canada Children's Book Week Moving to Spring

Many of you may have been on the receiving or delivering end of the Canadian Children's Book Week. News from the Canadian Children's Book Centre this week is that they are moving the event from fall to spring. The press release explains it all, but weather seems to have played a big part. Moving authors around Canada in November can be problematic at times. This change means no Book Week in 2010, but it will be back May 201..

I is for Inuksuk

Mary Wallace is Canada's Queen of the Inuksuk, or at least one of its greatest supporters! Her latest book: I is for Inuksuk: An Arctic Celebration, follows her other books: The Inuksuk Book, Make Your Own Inuksuk, and Inuksuk Journey.

Although at first glance you might think I is for Inuksuk is an alphabet book, it is actually an acrostic poem, with each letter in the word INUKSUK serving as a way to introduce another Inuktitut word. For example, "N is or Nanuq, the powerful polar bear of the North." After the introductory set up, Wallace goes on to provide more information related to that word. With smaller illustrations and a line or two of text, we learn, for example, that polar bears are good swimmers, that they hunt seals and give birth to babies in winter dens. We also get a close look at a paw print, complete with ice-gripping claws.

Other pages explore transportation, clothing, wildlife, family life and more. Wallace includes the Inuktitut script for each word, which is useful to show children that the Latin Alphabet is not the only one going. (One of my favourite things to do at school visits is to show children my books that have been translated into Arabic or Chinese script. This inevitably launches in to a discussion about alphabets and scripts.)

Wallace is also the illustrator of this book and her vibrant, joyful (especially U is for Umiaq where we see a family paddling their umiaq - summer sea boat — through the rolling seas) are highly appealing and engaging. (One pet peeve — and Ms. Wallace is not alone with this — is the huge plume of water gushing out of the whale's blowhole. The biologist in me cringes when I see this. The blowhole is connected to the lung. A whale with this much water in its lungs would be dead. (Yes, whales can drown.) The water you see "spouting" from whales is condensation. Think of what your breath looks like on the cool day. There is also a bit of water on top of the blowhole, but there is never a plume like this. Okay, biology lesson over.) I can see her illustrations sparking some wonderful art classes with a creative teacher at the helm, much like one of my girl's teacher used Ted Harrison's art.)

Each spread in the book includes a different type of inuksuk and its meaning. Children will enjoy trying to find each one on the pages. (And it was a revelation to me to learn that there were different types.) There is also a helpful. Inuktitut pronunciation guide.

Here's the publisher's blurb and a review from Canadian Materials.

You're Mean, Lily Jean (and many other books)

I'm back. I have a stack of books on my desk I've been meaning to blog about. (And a box under it, too. Sigh.) My own work and other writing projects have been taking my time, but these slower days (for the moment at least; comments from my editor are imminent) are giving me a bit of time to finally post. I hope you enjoy — or at least find useful — these updates and links. First up: You're Mean, Lily Jean by Frieda Wishinsky, illustrated by Kady MacDonald Denton.

Frieda was in Tough City earlier in the year so we had a chance to meet and have a cup of tea. It's always wonderful to meet other writers from across the country, so I'm glad she looked me up. I suspect there is not a child (probably female child) in the country, or an adult (probably female, too) who cannot relate to the scenario in You're Mean, Lily Jean. A new girl moves in next door — oh, joy! But it turns out that Lily Jean is a tad bossy and while she's happy to play with Sandy, she exerts her will and bossiness over Sandy's young sister, Carly. Whatever Lily Jean deems the girls shall play — house, cowgirls, king and queen — Carly is only permitted to play if she takes on a "lesser" role — baby, cow, dog. The dynamics of a trio of girls, which is already dredging up squirmy memories for me, is also at play in this book. Carly plays along, but only to a point. As you can expect, Lily Jean gets her comeuppance at the book's crescendo and all is resolved satisfactorily at the end, without any meanness. Kady MacDonald Denton's illustrations have always appealed to me, ever since I started reading 'Til All the Stars Have Fallen: Canadian Poems for Children with my own wee sprogs. (It's a fabulous book, by the way, and still in print almost 20 years later.) Her illustrations are bright and playful and the children's expressions, especially Carly when she is being relegated to the role of cow (complete with moos) cracks me up. Her art perfectly complements the characters well-envisioned by Wishinsky.

Others have a lot to say about this book, often along the lines of teaching about bullying and expressing ones feelings. Of course this is all very true, but above all it's a wonderful story, with spot-on illustrations, that I bet all children (old and not so) can relate to. What more could you want?

Here's the publisher's blurb and a review from Quill and Quire.

Support for BC Bookworld

Four times a year I look forward to a new edition of BC Bookworld. Each issue profiles BC authors, illustrators and publishers, including self-published authors. It is an invaluable resource and a wonderful way to profile all things literary about BC. The magazine is available free through bookstores and on the BC ferries as well, so it is sure to get into peoples' hands and, no doubt, helps put new writers in readers' hot little hands. You can also subscribe to BC Bookworld for the very reasonable price of $25. Given the latest round of funding cuts BC Bookworld's future is a bit shaky. Please take a minute to read this letter and consider supporting BC Bookworld.

Dear Friend,

For more than twenty years, Alan Twigg and David Lester have produced B.C. BookWorld, Canada?s most-read independent publication about books. It?s an educational newspaper that serves 100,000 people per issue, via more than 900 distribution outlets around the province.

With the onset of the Olympics, the B.C. provincial government has suddenly withdrawn all its annual support, terminating a 22-year partnership with the non-profit society that sponsors B.C. BookWorld. The news came in a brisk phone call in October, without any explanation, and no paper trail, with less than one month?s notice.

Similar calls were made, on the same day, to the B.C. book publishers? association and the B.C. magazine publishers? association.

The future of B.C. BookWorld is now in jeopardy.

If you value and enjoy B.C. BookWorld, I invite you to help preserve and embolden this essential publication by sending a Supportive Subscription cheque of $25 to:

Pacific BookWorld News Society
3516 West 13th Avenue
Vancouver, B.C.
V6R 2S3

In return, B.C. BookWorld will be mailed to your home or office address throughout 2010.

Please act now. As legendary Canadian publisher Jack McClelland put it, ?In all sincerity, let me say that I have never encountered a book journal as engaging as B.C. BookWorld.?


Sent on behalf of Pacific BookWorld News Society; publisher Howard White (president), historian Jean Barman, Simon Fraser University chief librarian Lynn Copeland, Canadian Centre for Studies in Publishing director Rowland Lorimer, Association of Book Publishers of British Columbia executive director Margaret Reynolds, author Andreas Schroeder, bookseller Don Stewart, Vancouver Public Library chief librarian Paul Whitney. In conjunction with the Coalition for the Defence of Writing and Publishing in British Columbia.